Broadway Grosses w/e 4/22/2018: It’s coming down to the wire.

The following are the Broadway grosses for the week ending April 22, 2018.
The Broadway grosses are courtesy of The Broadway League
Read more here:

Podcast Episode 154 – Tony Award Winning Writer, Lisa Kron

When Tony Award Winner Lisa Kron was a theater major in college, she was told she wouldn’t succeed . . . because she wasn’t “thin, pretty, or straight enough.”

Thankfully, Lisa didn’t let that stop her, and she went on to write and star in (!) Well, and write the Tony Award-winning lyrics and book to Fun Home on Broadway, one of the most unexpected hits Broadway has seen . . . ever.

Her passion and determination helped prove to this business and the world, that being unique conquers the status quo, every effin’ time.

Lisa and I talked about her entrepreneurial and unexpected journey in the theater including . . .

  • Her #1 rule to success:  if a door opened, and she was scared, she forced herself to step through it. (Words to live by.)
  • Why her early writing horrified her.  And how she got better.
  • How performing stand-up helped hone her stage writing.
  • Being mistaken for a seat-filler at the Tony Awards . . . the year she was nominated!
  • Who young writers should be trying to connect to in order to have a successful career (hint: it’s NOT who you think).
  • Why trying to increase diversity in terms of gender and race is like looking for your keys. (This is such a brilliant analogy – only a Tony Award-winning writer could come up with it, so make sure you listen.)
Lisa’s success story is the stuff that musicals are made of . . . an underdog is kept down by society, so she finds her own path, and proves them all wrong.

Aren’t we all so lucky that she persevered, so she can make more musicals!

Click here for the link to my podcast with Lisa!

Listen to it on iTunes here. (And if you like the podcast, give it a great review, while you’re there!)

Download it here.

GUEST BLOG by Nathan Johnson: Elevating the Brand of Broadway

I didn’t grow up a Broadway fan. I wasn’t the kid that collected Playbills and hung them on my walls. I didn’t take holiday trips with my family to New York when I was young to take in a show. We typically found ourselves running away from the freezing Minnesota winters to warmer climates. Occasionally I would see a traveling Broadway tour (which I almost always enjoyed), but between family, friends, and extracurriculars, my life seemed pretty full. I was quite alright without adding “Broadway” to the mix.


So, in 2007 when I married the love of my life, actress Laura Osnes, and we moved to NY, that all changed.  Laura is a “Broadway Baby” through and through. She doesn’t like Broadway, she LOVES Broadway. Needless to say, my education started immediately.


Over the course of the next few years, I had some incredible experiences in the theatre. I assume if you’re reading Ken’s Davenport’s blog, I’m preaching to the choir. You probably already know that good theatre can challenge, inspire, develop empathy, and even cause us to just escape with a good laugh.  There’s just something about experiencing live theatre at that level that is impossible to get elsewhere.


While I felt at home in a Broadway house, many of my friends and acquaintances outside of the theatre community didn’t seem to care about taking the time to go to sit through a show. Their lives were full. From their perspective, Broadway seemed like something that was for the older generations, tourists, and for the super-committed thespian fan. Their perspective sounded a lot like me before meeting my wife. I couldn’t help but see that there was a major glitch in how Broadway was perceived by much of my demographic.


I am a photographer and business owner. After a brief stint of acting, and realizing it wasn’t for me, I began photographing a lot of actor headshots and portraits and eventually began shooting Broadway campaigns. I was fortunate enough to work with Ken on his incredible production of Spring Awakening…a production that made me ugly cry in my seat.


Five years ago I opened a photography studio in West Chelsea called Drift Studio (driftstudionyc.com), and have developed a great client list, including most of the major publications (Vogue, GQ, Harper’s Bazaar, Nylon, Billboard, Hollywood Reporter, Esquire, to name a few). Each of these companies do a pretty bang-up job at creating the level of content that cuts through the noise to reach a younger adult audience to bring them the newest of Hollywood, fashion, and music goings on (ignore the fact that the print divisions are going the way of the dinosaur). Why wasn’t Broadway included in the mix? You might see the occasional feature on one of the theatre elite, but it was a rarity. Why wasn’t anyone creating the type of Broadway content using Broadway talent to reach my peers? Why was almost all of the content that I was seeing so fan-focused?


Over the course of the next few years, I was fortunate enough to connect with others in the industry who felt the same way and wanted to do something about it. So we began to team up to create the kind of content that we wanted to see. Through a series of companies and brand partnerships, we have worked to create hundreds of photo editorials, feature stories and even events to try and make a connection with a new audience. Currently, much of our original team is at TodayTix, of which I am a Creative Director of a new venture called The X (cultureliveshere.com).


It is my hope that we, along with other outlets, elevate the brand of Broadway in a way that is exciting, glamorous, relevant and sexy and engage a new demographic of theatre-goers who deserve to know the power of the live theatre!


– – – – –

 
Nathan Johnson is a NYC based photographer and founder of Drift Studio.

Broadway Grosses w/e 4/15/2018: No snow, but still some slippage.

The following are the Broadway grosses for the week ending April 15, 2018.
The Broadway grosses are courtesy of The Broadway League
Read more here:

Why movie attendance has dropped, while Broadway’s has risen.

Movie attendance dropped by almost 6% last year, returning it to a number that hasn’t been seen since 1992. (No wonder why so many Hollywood stars are looking to Broadway to make a buck.)

Butts in seats at your local cineplex has been on a decline for years . . . while Broadway’s jumped a few year’s back and has been holding steady for the past few.

What’s the problem with movies that super-expensive Broadway seems to avoid?

Two things:

First, movie theaters got pummeled by other distribution methods for their content.  Here comes YouTube, Netflix, iTunes, OnDemand, and more delivering an endless supply of movies for your enjoyment in your own home, or on your laptop, or on that 2×2 inch screen in your pocket.  Sure, sure, you may not get the absolute latest release, but with the “long tail” of content available, consumers had plenty to keep their nights busy.

Second, the technology of home theaters and those laptops and yeah, those even ‘smarter’ phones in your pocket has advanced at such a rapid pace, the viewing experience at home can rival that in the theater.  So “seeing it on a big screen” isn’t as much of an argument to get your a$$ to the multiplex.

What’s the takeaway for the theater?

Spoiler alert, it’s a good one.

See, as more and more distribution methods for Hollywood’s content pop up, and as technology for the consumption of that content advances, our content, live content, becomes even rarer.  And when something is rarer, it becomes more valuable.

There is no alternative distribution method for live.

There is no technology to replace the live actor, on stage, crying her eyes out while belting out a tune.

Nothing beats it.  And nothing ever will.

It’s why the theater is still hopping after thousands and thousands of years, and the invention of the radio, the TV, and yeah, the internet.

So theater ain’t no “fabulous invalid” anymore.

We just might be saying that about Hollywood soon enough.

 

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